对迪士尼新流媒体平台的期望,应该有所降低
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    Expectations for Disney’s new streaming platform should be tempered

    对迪士尼新流媒体平台的期望,应该有所降低

    There are high expectations for — and a lot of hoopla surrounding — Disney’s upcoming streaming service Disney+, which is scheduled to launch in November.

    人们对迪士尼即将推出的流媒体服务“迪士尼+”抱有很高的期望,并对其大加宣传。该服务计划于11月推出。

    The grand reception could be completely warranted, but I’d like to throw in an ounce of healthy skepticism.

    盛大的接待可能是完全有理由的,但我还是要提出一点健康的怀疑。

    Disney has a great library of movies, and owns the extremely successful Marvel franchise. But to successfully go digital and compete in the established streaming video arena will take more than that.

    迪斯尼拥有一个巨大的电影图书馆,拥有极其成功的漫威系列。但要想成功实现数字化,并在成熟的流媒体视频领域展开竞争,需要的不仅仅是这些。

    Streaming isn’t about making movies or simply having them on your platform anymore. It’s about the complicated digital delivery of video in HD and ultra HD formats — a challenge masters of video delivery deal with every day.

    流媒体不再是制作电影,也不再是简单地在你的平台上播放。这是关于高清和超高清格式视频的复杂数字传输——每天都是视频传输大师们面临的挑战。

    对迪士尼新流媒体平台的期望,应该有所降低

    And infrastructure build-out and signal delivery is no small task when there are tens of millions of users watching different things at the same time — and different binge-watching schedules on different kinds of devices.

    当有数以千万计的用户同时观看不同的事物,以及在不同类型的设备上观看不同的狂欢时刻表时,基础设施建设和信号传递并不是一项小任务。

    Technologically, Disney+ will be competing with Netflix, Amazon, YouTube, the new Apple TV and even Microsoft Xbox to a certain degree.

    从技术上讲,迪士尼+将在一定程度上与Netflix、亚马逊、YouTube、新苹果电视甚至微软Xbox展开竞争。

    But Disney+’s biggest hurdle may very well be content. The new format of streaming is different than anything Disney or Hulu has done before. Streaming today is a hit-based business with new and fresh stuff like the series “Stranger Things,” “Tom Clancy’s Jack Ryan” and “Undercover,” and movies like “BirdBox.”

    但迪士尼+最大的障碍很可能是内容。这种新的流媒体形式与迪士尼或Hulu之前所做的任何事情都不同。如今的流媒体是一个以热门剧集为基础的行业,推出了《怪奇物语》(Stranger Things)、《汤姆·克兰西(Tom Clancy)的《杰克·瑞恩》(Jack Ryan)和《卧底》(Undercover)等新鲜剧集,以及《鸟箱》(BirdBox)等电影。

    Edgy is not exactly a Disney hallmark. It will need to come up with binge-worthy content because big-budget, box office blockbusters is not what streaming is all about.

    急躁并不是迪斯尼的标志。它将需要提供值得沉迷的内容,因为大预算、票房大片并不是流媒体的全部。

    Watching Disney’s transition from big motion pictures to cost-effective, quality digital content will be interesting — and hopefully the service will indeed be a plus for consumers.

    观看迪斯尼从大型电影到高成本、高质量的数字内容的转变将是一件有趣的事情,而且希望这项服务确实能为消费者带来好处。

    But expecting an instant success would be a mistake.

    但期望马上获得成功,将是一个错误。

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